Face To Face

Film begins with a vehicle interior featuring Lois Brown behind the steering wheel as Whitney Wright. Pulling up in front of a house, she silences the car engine; visibly anxious. Lifting an assurance to herself, she steps out and makes her way to the front door.

James Stinson; portrayed by Michael Vegas, opens the door inquiring cautiously if she is Lois. Engaging in casual, polite banter to enter the house. Lois suggests conducting the exchange in the living area.

As they settle down, Lois asks to record the conversation to avoid misquotations. Enthusiastic self-defense responses from Stinson offer perspective on his stance. Questions probe the gangrenous trial surrounding him.

Admission and stance on guilt unravel painfully culminating in an air of confrontation and undisclosed tension. Tension ramps, charge builds, and fantasy morphs into outrageous fervor promoting coercive enthusiasm. Absolves into revealed proxies revealing complicity both ways.

Depths tread deeper, and the darkness conspiring towards exposure. Conclusively ends in unrehearsed ecstasies unforeseen well in times ahead.