The Casting

Amy's still in her waitress get-up when her phone rings. Her agent tells her she just scored an audition for a lead role in a pilot, and the director himself wants to meet her after seeing her reel. She's pumped—first real shot she's ever had. He asks if she can be in Los Verdes by five. She laughs, says she only has her uniform. He sends the address. She hangs up and hops around the bus stop like a kid who just won the lottery. Inside, the director’s already barking at the crew. He walks over to the male lead getting touched up and tells him he’s got a fun one today. They grin, knowing looks passing between them. A PA brings Amy in. She steps onto what looks like an actual living-room set and sits on the couch, nerves buzzing. The director storms over, shakes her hand hard. Steven Rothschild. The name hits her like a slap—she blurts out that she loves Red, White, and Bad. He smiles, tells her he’s seen everything he needs. Tony Romeo saunters in next. Amy’s eyes go wide. He’s the hottest young actor in town and he’s reading with her today. The director sends everyone else out. Closed set. He asks Amy to stand and spin. She hesitates, asks about a script. He just repeats the spin. Tony backs him up, says Stevie likes to freestyle. Amy turns, awkward as hell. The director compliments her body, asks if she works out. She nods. Tony steps in close, slips an arm around her. She blushes. The director asks if she’s comfortable with romantic scenes. She says yes. He warns her the project has nudity and very intimate moments. Amy swallows hard but says she’s fine. Tony suddenly suggests they rehearse the big nude scene right now to test chemistry. The director loves the idea and grabs his camera. Tony strips, cock half-hard, tells Amy to relax because Stevie hates difficult women. She feels small. The director lines them up for a long kiss and calls action. Tony’s mouth is on hers while the lens circles them, the director barking orders: bend this way, spread that, stay in character. Amy tries to keep up. She ends up spread wide on the couch, the camera inches from her pussy. The director hands the camera to Tony and pulls his own dick out, says he’ll show the oral and penetration so Tony nails the angles. Amy starts to stand, but Tony pushes her back down. The director tells her there are plenty of girls waiting if she can’t handle it. She closes her eyes, spreads her legs again, and whispers yes.